Artavazd Pelechian Peleshyan Artavazd Peleshian



"My dear friend (Vartanov)... should you like the (screenplay) Desert, together we could make a masterpiece..."
- Artavazd Peleshian (1984)

Artavazd Pelechian's Seasons of the Year (1975), a film-essay about the contradiction and the harmony between man and nature, was the the 2nd and the last collaboration with Vartanov, who had directed Autumn Pastoral (1971) from Peleshian's screenplay. In the Seasons of the Year (1975), for the first time, Artavazd Pelechian did not use any archival footage likely due to the exquisite cinematography by Vartanov. Peleshian's Seasons of the Year (1975) is one of the 3 most important documentary films made in Armenia, along with Sergei Parajanov's Hakop Hovnatanian (1967) and Vartanov's Paradjanov: The Last Spring (1992).

The crew of the 30 minute black and white picture, also known as Four Seasons, Seasons of the Year, Tarva Yeghanakner and Vremena Goda, reportedly included Tigran Mansurian, who frequently worked with Parajanov, Vartanov and Peleshian.


Creator of the "distance montage," Artavazd Pelechian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity - it was a new step in the development of film editing. Even Peleshian's student work The Earth of the People 1966 and The Begining (1967) shot at VGIK, the prestige film school in Moscow, were awarded numerous prizes and he gained recognition among filmmakers, such as Jean-Luc Godard. Artavazd Pelechian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema").


Artavazd Ashoti (Ashotovich) Peleshyan was born on the 22nd of February, 1938 in Leninakan, Armenia, Soviet Union (USSR). Pelechian studied at the legendary Russian film school VGIK from 1963 to 1968 and now lives in both Armenian capital Yerevan and Russian capital Moscow.

ARTAVAZD PELESHIAN (ARTUR PELECHIAN) FILMS:

MOUNTAIN VIGIL (1964)
About the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences. Director Artavazd Peleshian. (10 min)

THE EARTH OF THE PEOPLE (1966)
Praises human life and work, the everlasting beauty and expression of human thought. Directed by Artvazd Pelechian. Black and White (10 min)

THE BEGINNING (1967)
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century. Director Artavazd Peleshian. Black and White (10 min)

WE (1969)
Explores the identity and fate of the Armenian nation. Directed by Artavazd Pelechian. Black and White (30 min).

INHABITANTS (1970)
Peleshian's perception of the inhabitants of the Earth. (10 min).

AUTUMN PASTORAL (1971)
Directed by Mikhail Vardanov, written by Artavazd Pelechian. Color (10 min)

SEASONS OF THE YEAR (1975)
Peleshian's outstanding look at the co-existence of nature and people, lensed in black and white by Mikhail Vardanov. Music: Vivaldi's Four Seasons and Armenian folk. (30 min)

OUR CENTURY (1983)
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. (47 min).

LIFE (1992/1993) (color)
About the beginning of life from labor pains and birth and about its symbolic meaning. Pelechian's first color picture (7 min).

END (1993/1994).
Pelechian returned to black and white in this documentary. (10 min)


[Mikhail Vartanov and Artavazd Peleshian 1975]